Wednesday, October 27, 2010

How Long Do You Take Ramipril Before It Lower Bp?

Press FP- CGIL NATIONAL


RELATED WORK

What does the law say?
The law provides for the conclusion of a sort of individual contract through certification of the employment relationship in which one can enter conditions other than those contracts.
we introduce a new form of arbitration , which assigns the any disputes no longer an employment tribunal but to an arbitration that can decide without regard to laws and contracts .
All this without that decision at the time of the employee knows what it is and without any right of reconsideration.
limits are expected to judicial disqualification, and a regime unfavorable to the worker, so clears safeguards created to protect the most weak, ie the worker.
It introduces the apprenticeship contract from 15 years of age thus circumventing,
same time, the 16 years that until now were old enough to fulfill the obligation education and access work. There are additional rules penalize the public work.
If the most vulnerable to the consequences of this set of rules unconstitutional will be young, unemployed, women and immigrants, it is clear the damage caused to all workers.











Rome, 20 October 2010
Press Fabrizio Fratini, National Secretary FP-CGIL

Linked work deconstructs the national contract to continue the protests and actions against
Yesterday, the House finally adopted the draft Law No 1141 c , better known as Linked Work . A text that deals a painful blow to the system of rights and protections , starting from ' arbitration, providing for the pronouncement of the worker when the weaker its position. It is not difficult to imagine the blackmail and pressure which will be submitted to the worker, especially in this negative economic situation . Rather than propose
active policies on employment, income support to workers involved in crisis or unemployed, a real development policy in all areas (based on research, innovation, lifelong learning), continue on a road that as a clear objective passing of the law 300 of May 20, 1970 (the Workers' Statute) , that aims to replace the Statute of the work of Minister Sacconi.
The design is clear: fewer rights and protections, exceeded national collective agreements work, return to a conception of work as a simple factor of production and, through an apprenticeship at 15 years and the Counter-Gelmini a school class.
For these reasons, after the sit-in yesterday in the House, efforts to combat, mobilization, contrast, will continue and intensify.

Sunday, October 24, 2010

Chlamydia Recurrence After Treatment



TO READERS
Players friends, you who I'll approach,
rid of every passion,
and reading, not shock you:
here is not bad either infection.
It 'true that perfect little
learn, laugh if you do not open:
else can not express my heart
seeing the grief that emanates from you:
better to write of laughter than tears, especially
that rider is human.
Rabelais, Gargantua and Pantagruel , libroI

Thursday, October 21, 2010

Cubefeild Play The Last Level

Villon and Rabelais Fabrizio De Andrè

From Bertolt Brecht to Georges Brassens, M. Luzi E. Sanguineti, "anyone, writer or poet writes F. De Andrè, writer or poet, essayist and thinker, jurist and philosopher who wanted to treat the pain or the joy of body and heart could deny the legacy of F. Villon or refrain from dealing with the magic of his word. "
Two years before his death in 1998, Fabrizio de André wrote a "letter" in F. Villon: the Ligurian singer wants to denounce the injustices, as well as at the time of the French poet, still exist in mondo.Secondo De Andrè, poetry and music have the task of forming a collective memory , keeping alive the memory of the atrocities committed by men against their fellow humans.
Dear François, in 1963 I happened to read a daily newspaper in South Africa celebrated the authorities without knowing the five hundredth anniversary of your death: the court in Johannesburg was hanged for eight suspected criminals, of course blacks. The author Article thus described the desperate fear of their child exorcism: 'They danced and sang under the strings before being hanged'. Then it just lingers in grisly detail afterwards. "Kicking for a bit ', some have lasted a minute, others a few minutes'. He took my anger just to write a ballad. As they say in today Gallura 'chistu ponillo touches in the song', this must be put into song, giving the music a meter a rhyme, why not disappear from the collective memory. If I had not found yourself in such an important predecessor to my song probably would not bring the title you suggested me: finally found the opportunity to thank "...
" I write to you from another enlightened age of reason and technique, where the use of the rope 'that's your neck to know how heavy your bum' has become more rare and far but does not disappear altogether. The war itself, rinnovatasi a hundred years in one hundred years, it is not over yet and then as men love beating down their arms and hands and if there are no boilers for boiling counterfeiters, the tools to give the death were improved to the point that only one of those hundred all-powerful, one of Thibault Aussigny may determine the end of humanity in such a short time because the pressure of a finger on a button. A modern form of inquiry that studies people as masses of cases divided by the number without distinguishing between the various individual fates, informs us that we are all much richer than they were your contemporaries, but the requests for ' help from the poor become more desperate every day and getting compelling results of your worst 'case to lord of Bourbon' because you did 'a loan of six shields pretty'. Even today we are capable of strong feelings, but more willingly turn them into tears sitting in the theater before the tragedy of Hamlet and Orestes or returning home to dry eyes do not even deserve a closer look at our intent to count the spaghetti to feed the children. "
'So what' of Aussigny Thibault 'in whose hands so much pain you have suffered and whose immense power comes to' shed blood in the streets of Paris' and, therefore, that you 'deny as your bishop' reappears with a choice group of powerful enemies of humanity in a page of Grotius: 'If the human race is one of a hundred men, it is doubtful that these hundreds of men belonging to the human race'. "

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on Villon

On Francois Villon Bertolt Brecht

Francois Villon was the son of poor people
's rocking the cradle a cold wind
Since its youth between the snow and frost
was beautiful just the free sky above him
Francois Villon, who never read a protected
soon found easily and that his life he liked.
...
For him, the sweet reward of heaven never smile
police soon broke the pride in breast
Yet he was the son of God
At the end of a wooden cross smiles at him as a reward.

Francois Villon died is not known where
having survived for the last time the gallows
But his defiant spirit will remain alive
long as this immortal song.
When he was about to die and limbs stretched
and fatigue later found that he liked that too.

B. Brecht, Poems 1918-1933 , trans. R. Einaudi, Torino 1968


Saturday, October 9, 2010

License Renewal Grace Period Missouri

Operator Training Course for Social Health

The AUSL Pescara has issued public notice for admission to the annual training, school year 2011, for obtaining the certificate of title "social workers" .

The course, which will take place in the USL di Pescara, single seat, provides for the participation of No and 60 units will be divided into two sections of 30 units each.
The mode of application, admission requirements and criteria formulation of the list are specified in the notice , available on the official website of our local health


(click on Educational Centre) , which can also be downloaded from the application form for admission.


DEADLINE: October 21, 2010

The secretary of the CGIL PO Pescara is available for any information on this.

Friday, October 8, 2010

Kates Playground Con Gel

Pavese: Dialogues with Leuco: The inconsolable Orpheus

Friday, April 4, 2008

the inconsolable Orpheus Pavese

sex, drunkenness and blood will always recall
the underground world and promised to more than a chthonic Beatitudes. But the Thracian Orpheus
, singer, traveler, and Hades as the same victim torn
Dionisio, earned more. (They talk about Orpheus and Bacchus).


Orpheus: It 's happened. We climbed the path through the forest shadows. Were far Cocytus, Styx, the boat, the laments. Glimpsed on leaves the gleam of the sky. I felt behind the rustling of his hand. But I was still there and I was wearing that cold. I thought that one day I had to go back, that what has been will be again. I was thinking about life with her, as it was before, which again would be over. What has been will be. I thought that frost, the void that I had gone through and that she wore to the bone, bone, blood. It was worth it to relive again? I thought about it, and glimpsed a glimmer of day. So I said, "is over" and I turned around. Eurydice vanished like a candle goes out. I heard only a squeak, as of a mouse that is saved.

Berry: Strange words, Orpheus. I can hardly believe it. Here
you said that you were loved by the gods and muses. Many of us follow you because you know
love and unhappy. You were so in love - just for men - you have crossed the threshold of anything. No, I do not believe, Orpheus. It was not your fault if fate betrayed you.

Orpheus: What does it matter destiny. My destiny is not cheating. Ridiculous that after that trip, having seen nothing in the face, I turn to error or caprice.

Berry: It says here that it was for love.

Orpheus: Do not you love those who died.

Berry: And yet you cry to the mountains and hills - the search and call you - you descended into Hades. This was it?

Orpheus: You say you're like a man. Know therefore that a man does not know what else to death. The Eurydice I cried it was a season of life. I tried something else out there who love her. I was looking for a past that Eurydice does not know. I understood that among the dead while singing my song. I saw the shadows look stiff and empty, stop the whining, Persephone hide his face, the same dark-impassive, Hades, reach out and listen as a mortal. I understand that the dead are nothing.

Berry: The pain has upset you, Orfeo. Who does not rivorrebbe the past? Eurydice was almost reborn.

Orpheus: And then die again, Berry. To reach the blood and the horror of Hades trembled with me day and night. You do not know what nothing.

Berry: So you sing that you had regained the past, have rejected and destroyed. No, I can not believe.

Orpheus: Understand Me, Berry. Only in the past was a real song. Hades saw himself follow it. Already climbing the path that vanished past, you did remember, he knew death. When I came the first glimmer of the sky, startled as a young, happy and incredulous, started for myself, for the world of the living. The season I had been looking at that glimmer was there. I do not care about her following me. My past was the light, was the song and the next morning. And I turned around.

Berry: How could you resign, Orpheus? Who has seen the return did you fear. Eurydice was a life for you.

Orpheus: Nonsense. Eurydice dying became something else. Quell'Orfeo who descended to Hades, was no longer married or widowed. My tears of that time was like the tears that you are the boy and smiles to remember. The season is over. I tried crying, but she no longer myself. A destiny, if you want. I listened.

Berry: Many of us behind you They come because they believed this to your tears. You then have you deceived?

Orpheus: O Berry, Berry, just do not want to see?
not betray my fate. I tried myself. Do not you try this.

Berry: Here we are more simple, Orpheus. Here we love and death, and cry and laugh with everyone. Our parties are the most joyful flowing with blood. We, the women of Thrace, not fear these things.

Orpheus: Viewed from the side of life, everything is beautiful. But those who believe he was among the dead ... Not worth it.

Berry: Once you were not so. Do not talk about nothing. Pull off death makes us like gods. You taught that same rapture overwhelms the life and death and that makes us more human ... You have seen the party.

Orpheus: No, what counts is the blood, girl. Neither intoxication and blood makes me feel. But what a man is very hard to say. Not even you, Berry, you know.

Berry: Without us you would be nothing, Orpheus.

Orpheus: I said this and I know. But then who cares? Without you, I came down to Hades ...

Berry: You came down looking for us.

Orpheus: But I have not found. I wanted something else. I found that coming to light.

Berry: Once sang Euridice in the mountains ...

Orpheus: The clock is ticking, Berry. There are mountains, there's Eurydice. These things have a name, and call themselves men. Invoking the gods of the festival is not needed here.

Berry: You, too, invokes them.

Orpheus: Everything a man does in life. Believes all things, in the days. Even believes that his blood flows in the veins of others at times. Or was that what can be undone. Believed to break the fate with the thrill. All this I know and there is nothing.

Berry: Do not you know that death, Orpheus, and your only thought is death. There was a time when the party made us immortal.

Orpheus: And you experience them the party. Everything is permissible for those who do not know yet. It 'must come down once each in his hell. The orgy is over my fate in Hades, according to my singing over ways of life and death.

Berry: And that means that fate is not cheating?

Orpheus: It means that is within you, what you, the deeper the blood, beyond all intoxication. No god can touch it.

Berry: Maybe, Orpheus. But we do not seek any Euridice. So how we go down to hell too?

Orpheus: Whenever you know a god s'invoca death. And you go down to Hades to tear something, to break a destiny. You do not win the night, and you lose the light. There is debate as obsessed.

Berry: You say bad things ... So you lost your light too?

Orpheus: I was almost lost, and singing. Realizing I found myself.

Berry: Is it worth being in this way? Is there an easier way of ignorance and joy. God is like a lord of life and death. We give in to his drunkenness, he comes tearing apart or torn. It is reborn each time, and you wake up like you in the day.

Orpheus: Do not talk during the day, wake up. Few men know. No woman like you, knows what it is.

Berry: Maybe that's why they follow you, the women of Thrace. You are to them as the god. You are descended from the mountains. Singing verses of love and death.

Orpheus: Silly. With you can speak at least. Maybe one day you will be like a man.

Berry: Provided that before the women of Thrace ...

Orfeo, 'Will.

Berry: Provided that sbranino God.

Cesare Pavese - Dialogues with Leuco

Thursday, October 7, 2010

What Is The Best Fabric To Make A Dress

on Leonardo

http://img543.imageshack.us/img543/2700/scan0001.pdf

Kate Playground New Toy

Tullio De Mauro humanism

http://img52.imageshack.us/img52/4333/scan0004.pdf

Sick And Red Spots On Tongue

always about time that flees

Clouds of Wislawa Szymborska

I should be very quick to describe clouds
-
after even a fraction of a second
are no longer ones, are becoming more. Their characteristic is



never happen in forms, tones, pose, arrangement.

not burdened by the memory of anything,
soar effortlessly on the facts.

But as witnesses of anything-
disperse instantly by all parties. Compared to the clouds


life seems solid, lasting almost
and almost eternal.
Faced with clouds

even a stone like a brother
on which you can count them instead
are only distant cousins \u200b\u200band fickle.

men there as well, if they want, and then
die one after another,
them, the clouds have nothing to do with this whole thing

very strange.

Above
all your life and mine, still incomplete,
lavish parade as well as having already been removed.

must not die with us, or
must be seen to fluctuate.

Wedding Dress Catologe

About this time fleeing

Nothing twice - Wislawa Szymborska

Nothing happens twice
Neither will happen. For this reason
are born with no experience,
die without addiction.
Even the most obtuse to the students of the School of Earth

a repeat is not given
The seasons of the past.
Not a day that will accrue two nights
not equal the same, no two kisses alike
,
or two looks unaltered.
Yesterday, when your name
Someone has given me

it seemed that a rose bloom on the pavement.
Today we are together,
I turned my eyes elsewhere.
A rose? But what? Perhaps
stone, or maybe flowers?
For you, now evil, come on
fear and uncertainty?
There are - so you need to go.
past - and therein lies the beauty. We will
harmony,
smiling, arms, though we are different

as two drops of water.
Nothing Twice (Wislawa Szymborska) .

Friday, October 1, 2010

What Is The Cost Of A Lifetime Fitness Membership

ABRUZZO: first region of the south?





2000-2010: ten years of backward economic status and social the province of Pescara and the entire region.
a reflection of many voices on the data of the crisis and future prospects.

TUESDAY 'October 5, 2010 AT 9.30
Hall FP Tosti Ex Aurum Pescara

involved:
Alfredo Castiglione
Regional Vice President
Guerino Head
President of the Province of Pescara
Henry Marramiero
Industrial Union President Pescara
Graziano Di Costanzo
Regional Director CNA
introduces:
Paolo Castellucci
Secretary-CGIL Camera del Lavoro Pescara
Giuseppe Mauro
Professor of Political Economy D'Annunzio University
Gianni Di Cesare
Regional Secretary of CGIL

coordinates the discussion:
Paul Masters Journalist of "Il Messaggero"